Cutting out any detail / Lawrence Upton

Voice 1: Is not?

Voice 2: In this one?

Voices 1 & 2: Is not in this one.

Voice 2: You first in sound.

Voice 1: Who stole the voice.

Voice 2: From history.

Voices 1 & 2: We speak.

Voice 1: We must oppose them.

Voice 3: He became highly skilled.

Voice 2: At his source material.

Voice 1: Is quite the opposite.

Voices 1, 2 & 3: He became highly skilled at his source material is quite the opposite.

Voice 2: Source material is quite the opposite.

Voice 3: Direction to worry.

Voice 4: He gave us.

Voices 1 & 2: We can't see us.

Voice 3: We can't see them.

Voice 4: Combining them.

Voice 3: A most sophisticated composition.

Voice 1: When the lights come on.

Voice 2: Fire.

Voice 3: He reappears.

Voice 4: The connections!

Voice 2: Something definitely quick.

Voice 1: In full light.

Voice 4: Action system.

Voice 3: Your own recollection.

Voice 2: Artistic medium.

Voice 5: An unexpected creature.

Voice 3: Rotary process.

Voice 1: The edge of real.

Voice 2: History we move.

Voice 1: We must oppose them without real history.

Voice 5: One sees marks which are armed.

Voice 3: Adopted by fragments.

Voice 5: Hanging in there, regardless of little pieces of paper, shoots.

Voice 3: Which is crime.

Voice 5: Is like an unexpected explosion of little humans.

Voice 4: If we must oppose them without real history.

Voice 5: Dislocated by a newspaper.

Voice 4: Delivery vans arrive.

Voice 3: If terrorists choose to know.

Voice 4: The saddle of his effects visible.

Voice 5: The lower half of paper.

Voice 1: Familiar in the cash registers.

Voice 2: A humorist carrying a crowd.

Voice 5: Truth you save yourself.

Voice 1: House of cash register.

Voice 5: Votes fall.

Voice 4: Ambling by a bomb.

Voice 2: Except that you first hear the crowd.

Voice 3: I flew here.

Voice 1: We follow.

Voice 2: Guided by a grief.

Voice 1: Some years before took care of mind.

Voice 2: Into the burning city.

Voice 1: And spills out as he enters composition.

Voice 2: Watch the sluggish seashore.

Voice 1: A dead man.

Voice 3: Who is attempting to form a name.

Voice 1: I'm real history.

Voice 2: We must oppose them.

Voice 3: Our enemies are visible.

Voice 4: From the saddle.

Voice 1: The crowd of cash registers.

Voice 2: Waltz out in the opposite direction.

Voice 1: To reproduce a perfect drum.

Voice 2: Crackling.

Voice 3: His wrists with my eyes.

Voice 4: It is fascinating.

Voice 1: I shall assume that there is one sound.

Voice 2: One sounds different through related things.

Voice 5: In creation.

Voice 2: Saying things.

Voice 1: Like a medium.

Voice 3: Like the opposite direction.

Voice 5: He sniggers.

Voice 4: An illusion of insomnia.

Voice 3: The heard under the pull of fantastic,

Voice 5: Taking belief.

Voice 4: And its own constraints.

Voices 1 & 2: Looking at this circus and managing ink flow.

Voice 3: So sharp if terrorists choose to know! Give us more planet!

Voice 4: Light evolving.

Voice 1: Dark sky.

Voice 2: Emerges beside him.

Voice 1: Words are few.

Voice 2: The burning city repeats his source material.

Voice 1: Very gentle, a dead man, the attitude, crossed out.

Voice 3: The edge of the story.

Voice 2: Dawn fire.

Voice 1: A dead man -

Voice 5: The teeth -

Voice 4: Of dolls.

Voice 3: Our enemies are highly skilled.

Voice 1: Hands all night ruin.

Voice 2: He moans.

Voice 1: The basis of paper.

Voice 2: Ocean warm.

Voice 3: Small men.

Voice 4: Rush out in front of the doll's house haunted by fire.

Voice 3: He was noisy darkness all things in the undivided stranger.

Voice 5: See things in creation saying.

Voice 3: Things better than they were wood.

Voice 2: The shivering of music.

Voice 1: The world drops out.

Voice 3: Here we discovered new country gave it names and cities.

Voice 5: The words are armed.

Voice 4: One connection remains.

Voice 5: It is unavoidable.

Voice 3: Smears on the machine.

Voice 1: It is removed from the crowd.

Voice 2: It is removed from the flame.

Voice 1: The flame rushes along the usual poets.

Voice 2: Paper stencils -

Voice 1: Themselves.

Voice 5: Piles of little humans.

Voice 2: Surface of tones.

Voice 1: Various men a photographic composition.

Voice 3: Mumbling like a clown.

Voice 2: The words are much of it.

Voice 4: Carrying a smartish man.

Voice 3: Picks up unexpectedly.

Voice 5: Cutting out any detail.